Korean Popular Culture

The Textbook-in-progress of the Ivy League's first class on the Korean Wave. This blog is the work of University of Pennsylvania EALC 198/598 students (Spring 2006 & 2007). Please apply proper citation when using any part of this blog. For details on citing this site see: http://www.bedfordstmartins.com/online/cite5.html#1

Sunday, February 18, 2007

Continuation on Korean Wave

This is an article I found about the rising Korean Wave. Just as we have talked about many times in class about the Korean Wave hitting many countries worldwide, this article talks about Korean products being sold all over China. The Korean market is trying to expand into China and bringing their pop culture is just a start. This article talks about missionaries for Christianity are also trying to spread their scriptures to China. I think it is interesting how many of the things that have influenced Korea started with the U.S. Not only has music, movies, and pop culture made a great impact on Korea, but religion and the missionary movements have also been passed on.


By Norimitsu Onishi The New York Times

At Korea City, on the top floor of the Xidan Shopping Center, a warren of tiny shops sells hip-hop clothes, movies, music, cosmetics and other offerings in the South Korean style.
To young Chinese shoppers, it seemed not to matter that some of the products, like New York Yankees caps or Japan's Astro Boy dolls, clearly have little to do with South Korea. Or that most items originated, in fact, in Chinese factories.
"We know that the products at Korea City are made in China," said Wang Ying, 28, who works in sales for the local branch of a U.S. company. "But to many young people, 'Korea' stands for fashionable or stylish. So they copy the Korean style."
From clothes to hairstyles, music to television dramas, South Korea has been defining the tastes of many Chinese and other Asians for the past half decade. As part of what the Chinese call the Korean Wave of pop culture, a television drama about a royal cook, "The Jewel in the Palace," is garnering record ratings throughout Asia, and Rain, a 23-year-old singer from Seoul, drew more than 40,000 fans to a sold-out concert at a sports stadium in Beijing in October.
But South Korea's "soft power" also extends to the material and spiritual spheres. Samsung's cellphones and television sets have grown into symbols of a coveted consumerism for many Chinese.
Christianity, in the evangelical form championed by South Korean missionaries deployed throughout China, is finding Chinese converts despite Beijing's efforts to rein in its spread.
For a country that traditionally received culture, especially from China but also from Japan and the United States, South Korea finds itself at a turning point in its new role as exporter.
The transformation began with South Korea's democratization in the late 1980s, which unleashed sweeping domestic changes. As its democracy and economy have matured, its influence on the rest of Asia, negligible until a decade ago, has grown accordingly. Its cultural exports have even caused complaints about cultural invasion in China and Vietnam.
South Korea is also acting as a filter for Western values, experts say, making them more palatable to Chinese and other Asians.
Historically, Christianity made little headway in East Asia, except in South Korea, whose population is now about 30 percent Christian and whose overseas missionary movement is the world's second largest after the United States.
Today, in China, South Korean missionaries are bringing Christianity with an Asian face. South Korean movies and dramas about urban professionals in Seoul, though not overtly political, present images of modern lives centering on individual happiness and sophisticated consumerism.
They also show enduring Confucian-rooted values in their emphasis on family relations, offering Chinese both a reminder of what was lost during the Cultural Revolution and an example of an Asian country that has modernized and retained its traditions.

"Three Guys and Three Girls" and "Three Friends" are South Korea's homegrown version of the American television show "Friends." As for "Sex and the City," its South Korean twin, "The Marrying Type," a sitcom about three single professional women in their 30s looking for love in Seoul, was so popular in China that episodes were illegally downloaded or sold on pirated DVDs.
"We feel that we can see a modern lifestyle in those shows," said Qu Yuan, 23, a student at Tsinghua University in Beijing. "We know that South Korea and America have similar political systems and economies. But it's easier to accept that lifestyle from South Koreans because they are culturally closer to us. We feel we can live like them in a few years."


Jin Yaxi, 25, a graduate student at Peking University, said, "We like American culture, but we can't accept it directly."
"And there is no obstacle to our accepting South Korean culture, unlike Japanese culture," said Jin, who has studied both Korean and Japanese. "Because of the history between China and Japan, if a young person here likes Japanese culture, the parents will get angry."

Politics also seem to underlie the Chinese preference for South Korean-filtered American hip-hop culture. Messages about rebelliousness, teenage angst and freedom appear more palatable to Chinese in their Koreanized versions.
Kwon Ki Joon, 22, a South Korean who attends Peking University and graduated from a Chinese high school in Beijing, said his male Chinese friends were fans of South Korean hip-hop bands, like HOT, and its song "We Are the Future."
"It's about wanting a more open world, about rebelliousness," he said. "Korean hip-hop is basically trying to adapt American hip-hop."
Like many South Koreans, Oh Dong Suk, 40, an investor in online games in Beijing, said he believed South Korea's pop culture was a fruit of the country's democratization. "If you watch South Korean movies from the 1970s or 1980s, you could feel that it was a controlled society," Oh said.

Hwang In Choul, 35, a South Korean missionary in Beijing, also sees a direct link between South Korea's democratization and its influence in China. After restrictions on travel outside South Korea were lifted in the late 1980s, South Korea's missionary movement grew from several hundred into its current size of 14,000.
Hwang, who since 2000 has trained 50 Chinese pastors to proselytize, is among the 1,500 South Korean missionaries evangelizing in China, usually secretly. "Under military rule, it was simply not possible to come out of South Korea, and even our activities inside the country were monitored," Hwang said. "We had the potential to be missionaries out in the world, but we were constrained."
Until South Korea and China, enemies during the Korean War, normalized relations in 1992, North Korea had a stronger presence in Beijing, with its embassy, restaurants and shops. Back then, South Korea remained unknown to most Chinese, or suffered from a poor image.
The Korean Wave has been gathering for some time. Its roots are traceable to democratization, which kicked off with the South Korean elections in 1987, and the Seoul Olympics in 1988. Social changes that took decades elsewhere were compressed into a few years.

3 Comments:

At 8:20 AM, Blogger Teresa Dong (董泰利) said...

Interesting article, I remember going to Beijing in 2005 and seeing evidence of the Korean wave everywhere from illegal Korean drama DVD's to Korean stores and merchandise.

 
At 11:21 AM, Blogger TopTumblr said...

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At 11:22 AM, Blogger TopTumblr said...

There's a touch of irony in the fact that Christianity is spreading to China from Korea. Did not Christianity initially reach Korea through China? And was not Korea where it was violently supressed, complete with scores of martyrs and purges? Now there seems to be a reversal of roles: Korea is retro-exporting Christianity back to China!

 

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